The catch? “We had started to get a following of people that seemed to think they knew what we were going to do,” said Tutti. It’s the death factory society, hypnotic mechanical grinding, music of hopelessness. But is there a subtle way we can wind people up, confuse them, make them angry, and play with stereotypes?”. The location was Beachy Head in East Sussex, the highest chalk headland in England and by 1979, the, of 124 deaths, at least 115 of them suicides. The tame cover photo shows the nattily dressed band - white disco j Emerging from that experimental daring, TG sought to forge a path and cut an edge beyond the limitations of the art world. my mum likes it. A counterfeit release of the original IR 0008 is in the shops! “We did the cover so it was a pastiche of something you would find in Woolworth’s bargain bin,” said Tutti. “Why can’t you do something nice?” she’d scolded him when he was home for Christmas in 1978. For your information: I bought a new 20 Jazz funk greats LP in Berlin. The evening’s forbidding sonic atmosphere had been heralded in a press release, crafted by lead singer Genesis P-Orridge, which advertised “MUSIC FROM THE DEATH FACTORY.” It went on. referencing 20 Jazz Funk Greats, LP, Album, RE, RM, TGLP4 The outer sleeve craftsmanship for this is just awful. Except, the album did not arrive untouched by a nihilism that brewed a perverse and transgressive air. Very English domestic. On similar reissues of other TG material the other covers don't seem to collapse outwards and dilate, not sure why this one does it. In a nostalgia for feeling totally sterile endless tribal music. The location was Beachy Head in East Sussex, the highest chalk headland in England and by 1979, the site of 124 deaths, at least 115 of them suicides. & also being one of those varied long-players common to that era (see Can's 'Tago Mago', Faust's 'IV' or Eno's 'Another Green World'). Here comes the Muzak to breathe, survive, and stand up to oppression across the galaxy. Please check your e-mail inbox. Film music to cover the holocaust. Instead, it effectively advanced a picture of a band being—ever-agitating and in constant flux. It was, said Tutti, “just to let [listeners] understand that this is a work in progress. As TG’s first press release revealed, the band was given to art and music that reflected on the dark and heinous elements of the humanity. Of course, the photos were at Beachy Head a famous suicide spot. Go look for it or be careful. I like it. Said Peter Christopherson, aka Sleazy, “My take on it was that it was meaningless if we were not making a statement to people of our own age, people whose lives might actually be affected by what we were doing, rather than the arts establishment, who were not really interested.” If a band could also reach an audience larger than COUM did, then, TG reasoned, they would be a band. Genre: Industrial. ... Definitely in the sense that cover seems pretty warm and welcoming, only to have the music completely flip that around. 10 July 2020 Mixtape: Saga. Remastered edition of Throbbing Gristle's best known and most suavely subversive LP, the one that completely re-defined the meaning of industrial music. Cover and labels looked ok, industrial 0008. And it was heavy. Press Enter / Return to begin your search. Mute is proud to announce a new digital reissue of "20 Jazz Funk Greats", the third studio album by British industrial music group Throbbing Gristle, originally released in December 1979. They eventually toned that down for something “even more ordinary.” TG associate John Balance would later characterize TG’s image as an “English domestic look that you wouldn’t expect to be associated with the type of heavy music they were producing.”. There has to be discussion, there has to be assimilation, and sound is a fantastic medium for that because it tweaks little nerve endings in you that bypass any kind of conditioning you have had. Let’s not learn how to play music.” The aim here was to flout and explode every parameter that came with being a band—in look, sound, and delivery. At the peak of their career, Throbbing gristle 1979 record "20 Jazz Funk Greats" is a whirlwind of orthodox industrial beats and a nightmarish soundscape. Thee tribe of mutations, street gangs lobotomized in the Death Factory. Back cover of 20 Jazz Funk Greats by Throbbing Gristle, 1979, photography by Clay Holden. We were making information.”, To that end, TG’s members toyed with constructions. “It was very literally an experiment,” recalled P-Orridge. The catch? 13 June 2020 Mixtape: #BlackLivesMatter. It’s 1984. TV Children trying to prepare themselves, meditating on, cease to exist. This album came out in 1979, right? Matrix / Runout (Side B, hand-etched runout): IR+0008+B OR. Be carefull! Compared to earlier and subsequent Throbbing Gristle albums, 20 Jazz Funk Greats is more structured, betraying the band’s facility for actual composition underneath its confrontation. poster, except that it only has Matrix / Runout (Side A, hand-etched runout): IR 008 A and Matrix / Runout (Side B, hand-etched runout): IR 008 B. Very English domestic. It was actually owned by a couple who had committed suicide off the cliff in the background. '20 Jazz Funk Greats' remains one of the key albums of the late-1970s - predicting most of what was to follow (electronica, industrial, avant-garde, ambient, new wave etc.) It turned ostensibly disco, electronic, and ambient forays—from “20 Jazz Funk Greats” to “Exotica”—into arch, offbeat parodies that spun sensuality into kitsch, passion into cloying claustrophobia. 20 Jazz Funk Greats was the answer. All 're becoming having the 20 jazz funk greats cover is the sensitivity. 20 Jazz Funk Greats contains little to no jazz or funk, the cover is a ruse in the style of TISM's Machiavelli and the four seasons the unassuming backdrop is Beachy Head a popular suicide spot. Throbbing Gristle - 20 Jazz Funk Greats (1979) ... sequencing. Jazz Funk Greats. It’s why Industrial Records, founded by the group, adopted as its logo, an image of Auschwitz—“one of the ultimate symbols of human stupidity,” P-Orridge told, in 1978, as in, “Humanity as a whole is stupid to allow anything like that to begin to occur.” And it’s why TG’s oeuvre sounds as uneasy, furious, and despairing as it does. Album: 20 Jazz Funk Greats. Sorry, your blog cannot share posts by email. Sure, the sleeve of, was purposefully misleading, but the point was never to fool record buyers. With that, TG brought a grim dystopia to life. Format: Vinyl, Year: 1983, Label: Mute (MIR003) Cover Art. "20 Jazz Funk Greats" Track Info. '20 Jazz Funk Greats' remains a classic, do I sound like a care that the technology has dated? “We had this idea in mind that someone quite innocently would come along to a record store and see [the record] and think they would be getting 20 really good jazz/funk greats, and then they would put it on at home and they would just get decimated.” That is, if they weren’t thrown off by the record’s reverse cover, featuring Tutti herself mooning the camera and informing the viewer exactly whom the joke is on. 20 Jazz Funk Greats will take you to another mind-state from start to finish. Per P-Orridge, “Our main goal was: ‘Whatever we did last time, we have to do the opposite this time.’” And as shown here, TG were not opposed to controverting themselves either. It’s more like having an experience than music, considering Throbbing Gristle is more of an art than music. Please come with us and enjoy.”, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to email this to a friend (Opens in new window), Only Human: John Lennon and Yoko Ono shared more than music on Two Virgins, An Axe To Grind: An eulogy for all the guitars sacrificed to Pete Townshend’s auto-destruction. Recorded at the Studios of Industrial Records in the weeks ending September 3rd, 1979. Discover all of this album's music connections, watch videos, listen to music, discuss and download. Mute Records (1978 > TOMORROW) Thank you, your sign-up request was successful! With the band’s patented metal machine music dialed back, it involved some manner of singing, offered a diverse range of musical textures, and contained tracks of digestible lengths. Instead, it effectively advanced a picture of a band, —ever-agitating and in constant flux. Released at the tail end of the 1970s, Throbbing Gristle's third official full-length, 20 Jazz Funk Greats, found the pioneering industrial group making a grand leap toward accessibility.This move wasn't entirely unprecedented, as their 1978 single "United" was an uplifting slice of utopian synth pop, and eventually became one of the band's biggest-selling records. And they’d had a lot of practice: the band grew out of performance art collective COUM Transmissions, whose pieces were provocative, often bloody meditations on sex, gender, and art itself. Finished reading Saga at last. “We did the cover so it was a pastiche of something you would find in Woolworth’s bargain bin,” said Tutti. I am interested in what society, culture and human beings are capable of doing to one another, good and bad. 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